THE BEGINNING IS A GOOD PLACE TO COMMENCE
THE FAIREY SWORDSMAN
This topic and build will be aimed at those persons who have little or even no experience of building from a Plan.
In other words, they know the sharp end of a knife. :) The plan was a ‘freebie’ plan from Model Boats magazine – I think the plan may still be available. It is graded as skill level – Easy to Medium. It does have a lot of information on this plan with regard to materials, build sequences and so forth.
So let us begin:-
The first job we have to do, after we have had a good look at the plan & when we have familiarised ourselves with it – is to decide what parts need to be transferred from the Plan onto the material that we are going to build the Fairey Swordsman from. There are several options open to us, one option is to photocopy the parts that we require and then cut the shapes out from the photocopied images. We then arrange them onto our building material. Once we are satisfied that we can fit all the parts on, we can stick the photocopied images onto the wood.
Another method is, to use carbon copy paper (the type used in olden days :) by typists). The method here is to place the carbon paper onto the material and place the plan over the top of that. We then draw round the items we require therefore tracing the outlines onto the material we are going to use.
A third option, and this is my preferred option, is to use tracing paper. The reason I prefer this method is; on other builds I have done, I have traced frames onto individual sheets of tracing paper and used these as a permanent record throughout the build.
As a footnote here – some draughtsmen show which way the grain of the building material should run. On this particular plan, it is drawn in to represent grain but on some plans there is just an arrow showing the direction of the grain. We take it, when we are working with a ply-wood material it is the surface grain which runs in the direction of the arrow or the indication on the plan and NOT the inner grain of the ply.
In photograph one then, I have shown the items which I use. There are no special items involved at all here. A plastic rule, a soft leaded pencil, tracing paper, a 45º set square and that funny curved shape – is called a ‘French Curve’ not necessary, but a great advantage for drawing curves, radius’ & etc.
The second picture you can see is where I have begun to transfer my tracings onto the material for the build which is called Liteply – this is the material suggested to be used for the keel, frames, bow and stern sections - note: little tip here; I use 4 drawing pins to secure the tracing paper to the Liteply . I use an old piece of chipboard underneath the Liteply for support. When I have finished transferring a tracing onto the Liteply, I only remove two drawing pins, thus allowing me to flip the tracing paper away so I can then examine and ensure I have not missed any part of the tracing out. If I have, I can fold the tracing paper back to its original place. I would then be able to correct where I have missed. One more tip as well Ensure you mark and label each piece you trace so once you have cut them all out; you do not have a pile of bits – which you don’t know where they fit :) .
On the next photograph, you will see that I have all the transfer tracings complete on the Liteply in readiness to be cut out. Now here is another tip which I use Once I have finished tracing and transferring an item onto the Liteply I immediately go over the top of the lines drawn with a ball point pen. I tend to use black, the reason for this is, and sometimes the pencil line fades into the timber. Sometimes the softer the timber, the quicker it seems to fade. However, with a ballpoint pen, the lines drawn do stay pretty prominent.